

While listening to Rush as a boy in 1983, I would never had imagined still listening to new music 30 years later and adding a new element to their studio recordings as well as live shows is incredible. I’m sure Rush fans will reflect the band’s attitude with lots of appreciation and support for these great musicians. Thanks so much for doing the “footwork” on this. ħ Responses to “Who are the String Musicians in Clockwork Angels?” Rush: Life, Liberty, and the Pursuit of Excellence. Read the Rush Vault interview with Concert Master Joel Derouin. Here are a few pictures from the Manchester, N.H., and Bristow, Va., shows.- Rob Freedman, Rush Vault Here’s a 2-minute video of the playing on the show: Thanks to a head’s up from Rush is a Band, we learned that a few of the musicians appeared on Kim Mitchell’s show on Toronto’s Q107 Oct. All nine of the musicians appeared to be on stage for the early shows. Mario de Leon is another popular session musician and worked with Campbell and Hilera on Sheryl Crow pieces “Sideways” and “Summer Day” on her 100 Miles From Memphis album.Īlex said that David Campbell won’t be touring with the ensemble once the early kinks are worked out. Gerry Hilera, another violinist, has played with dozens of popular artists, including Sheryl Crow, George Benson, Linkin Park, Patti LaBelle, Ray Charles, Jimmy Demers, Mana, and Incubus. He was musical director for Stevie Nicks’ 1992 tour.
RUSH CLOCKWORK ANGELS TV
His work appears in the scores of dozens of moves, TV shows, and broadway plays, and he’s toured with a number of live acts, including Sheryl Crow’s 2006 Wildflower tour and Eric Clapton’s 1998 The Pilgrim tour.
RUSH CLOCKWORK ANGELS MOVIE
He wrote the score to the 1991 movie “The Hitman,” with Chuck Norris, and the track “Jane,” on Stevie Nicks’ 1994 Street Angel album. Violinist Joel Derouin is the concert master for the Rush ensemble and has worked with dozens of artists, including Paul McCartney, Madonna, Elton John, Black Eyed Peas, Beyonce, Lyle Lovett, Barbra Streisand, Tony Bennett, Sheryl Crow, Robert Plant, Jimmy Page, Daughtry, and Eric Clapton. Watching them pass in the night, how I prayed to get away. Near our village of Barrel Arbor, the steamliners touched down and traveled on rails along the Winding Pinion River toward Crown City. I had big dreams, and needed a big place to explore them: the whole wide world. For a boy, life on the farm was idyllic, but for the young man I became, that very peace and predictability were stifling, unbearable. IT SEEMS LIKE A LIFETIME AGO – which of course it was, all that and more.

Printed in the United States.Īll songs published by Core Music Publishing (SOCAN) for the world excluding USA (SESAC) USA. for the World excluding Canada.Īll Rights Reserved. Zee Brokerage and – Ω™Įxtremely special thanks, as always, to our great support group at SRO/Anthem: Ray Danniels, Pegi Cecconi, Sheila Posner, Meghan Symsyk, Bob Farmer, Andy Curran, Cynthia Barry, Tyler Tasson, Emma Sunstrum, and Randy and Frances Rolfe.ĭedicated to the memory of our dear friend Andrew MacNaughtan, Febru– January 25, 2012 At Henson, Martin and Faryal Barry and Clint at B. Our collective appreciation goes to: John McBride and all at Blackbird Joe Dunphy, Tanya Coghlan, and Amanda Pearl at Revolution (and Rene Lesko at Kindred Spirits Catering). Neil would like to thank: Don Lombardi, John Good, Louie Garcia, Garrison, and everybody at Drum Workshop and Drum Channel Mark Love, Chris Stankee, and everybody at Sabian Promark drumsticks, Remo drumheads, Darren Schoepp at Roland, Jeffery at KellyShu Industries, Greg Russell at, Brutus at Bubba’s Bar ‘n’ Grill, Freddie Gruber RIP, Peter Erskine, Lorne “Gump” Wheaton, and on the home front, Keith, Jeanette, Jennifer, Adela, Katie, Winston, and – lastest and mostest – Carrie and Olivia. I would also like to thank Nancy, Kyla, Julian, and Lauren, for their constant and complete support, love, and understanding – and it is my pleasure to introduce … The Wassermans ^.^ ^.^Īlex would like to thank: Pat Foley and the crew at Gibson Custom Shop and Gibson Guitars, Hughes & Kettner Amplification, Dean Markley Strings, Paul Reed Smith Guitars, Joel Singer and Audio Technica, Universal Audio, Dave Welderman at the Guitar Center, Hollywood, and especially Adrian, Charlene, Dylan, Justin, and Taylor. Geddy would like to thank the good people of the following companies for their technical contributions and support: Fender Musical Instruments and the Fender Custom Shop, Tech 21, Orange Amplifiers, Moog Synthesizers, Tom Brantley, James Hogg, Rotosound Bass Strings, and Jim Burgess of Saved By Technology. “BU2B” new intro recorded on Lerxst Mobile, West Hollywood CA. “ Caravan” and “ BU2B” recorded at Blackbird StudiosĪll other songs recorded at Revolution RecordingĪssisted by Stephen Koszler and Jason Dufour Geddy Lee – bass guitar, keyboards, bass pedals, vocals
